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Fadya

Character

Also appears as: FADYA

Suliman’s younger daughter: mourner, flower-girl, harlot, toxic botanist and finally ghost. Grief converts her from filial innocence into one of the play’s more persistent supernatural complaints.

Appears in

Connections

Meets

Attends

Linguistic associations

  • venery engages in (1 passage)

Uses

  • flowers wears or carries (1 passage)
From the books (5 passages)

…being between the two a holed fence, and (c) an area of common land. Enter SULIMAN, SHEHEREZADE and FADYA into his property. They water the plants, read poetry. Enter, at different times, LITTLE SHIT, FUKBOI, mob GIMPS into the common area, and SLEAZE into his property, where he straightaway applies his eye to the hole, and voys the family of SULIMAN.)

(Enter SHEHEREZADE & FADYA into SULIMAN’s garden. Enter SLEAZE into his yard, and applies himself to the hole in the fence)

(The covered terrace of the Old Disgrace. SHEHEREZADE at a table with Fadya, who is bedecked with flowers.)

(SLIME’s former squat in Picton Street, outside which FADYA, dressed as an harlot, withal yet festooned with flowers, doth disport herself. Enter MR LUVVERTORY. They engage in a dumb show, as betokening such a financial transaction as an harlot and a fop engage in before they do lie together in venery. And exeunt into the former squat of SLIME. Enter SHEHEREZADE & CHLAMYDIA.)

(Enter FADYA, festooned with botany, and in the apparel of an harlot)

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